African art as found object
by Lisa Wainwright
(re)Touching ‘The Swing’
by Catherine Yass
Aftermath performance: mourning in the work of Jelili Atiku
by Akin Oladimeji
Gender in (dis)order: masturbatory emancipation in Peaches’s ‘Whose Jizz is This?’
by Maike Wagner
‘What the hell’: narrative and mystery in the work of Keren Cytter
by Tilde Fredholm
Chair portraits: Clara Porset’s ‘butaque’
by Daisy Silver
Camera consciousness: on Susan Morris’s ‘Concordances’ and ‘Silence (On Prepared Loom)’
by Margaret Iversen
A competition for re-presentation: Elizabeth I in contemporary art
by Christina Faraday